D•R•Horton

We went to our first HOA meeting this week for our new home in Carillon Forest. It was great to meet some of our new neighbors and we learned a lot. Mostly we learned that there are still lots of requests pending with the original developer who built all the houses in the neighborhood a few years back. Unfortunately, they don’t seem to be responding to our requests. 

It occurred to me that buying a house from DR Horton is like buying a band instrument from Professor Harold Hill. The Music Man comes to town, sells you a shiny new band instrument, and then moves on. Once he’s gone, he’s gone!

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    Here is a test to find out whether your mission on earth is finished; if you’re alive, it isn’t.

    — Richard Bach, Illusions: The Adventures of a Reluctant Messiah

    I came to Richard Bach via Neil Diamond’s soundtrack to Jonathan Livingston Seagull. While the metaphors in Jonathan Livingston Seagull are rather obvious now, the wisdom and insights from Illusions remain much more subtle and lasting.

    Richard Bach was quite popular in the late 70’s and 80’s. Amazon calls him the Kahil Gibran of the Me! generation. I was in my twenties at the time and, like most people in that decade of their life, I had an overwhelming sense of calling. I had a deep sense that I was placed on this earth to complete a mission, to help people see themselves, and the world, in a fresh way.

    Much has transpired since those heady days of youth. I think I have helped many people along the way, albeit never in the grand style I envisioned in my twenties. Nevertheless, on a quite day, I can still hear that voice calling inside. Since I am very much alive again today, it is good to know that my mission is not yet complete.

  • |

    Celebrate art and culture. It defines who we are.

    When you live in times of authoritarian rule one of the first things that end up in the cross hairs is culture. We believe firmly that artists and writers and dramatists and actors and musicians play a vital role in defending the integrity of who we are as human beings.

    — Jeremy Scahill, on the Trump’s Cabinet of Killers and Why Orange is the New Anti-Black episode of The Intercepted.

    I have never been more grateful for organizations like the ACLU and the plethora of lawyers we have in this country. Likewise, I am inspired by the power of our marches and protests as we stand up for our values. But, in addition to the direct tangible actions we can take, we also need a 100 million voices writing and singing and laughing and, in general, sounding our barbaric yawps over the roofs of the world.

  • Be the Best of Whatever You Are

    If you can’t be a pine at the top of the hill,
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    If you can’t be a bush, be a bit of grass,
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    We can’t all be captains, some have to be crew,
         There’s something for all of us here;
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  • TV Ads – Too Many?

    We are in the business of providing the material that prevents the commercials from all slamming together . . . that’s what we are doing here. That’s what we are doing on the West Wing set. We gotta deliver them twelve minutes of stuff to separate the Chevy commercials.

    — Lawrence O’Donnell, Jr. Executive Producer of the The West Wing. Quoted in an NPR interview, January 2006.

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  • Steinbeck on Writing

    I think there is only one book to a man. It is true that a man may change or be so warped that he becomes another man and has another book but I do not think that it is so with me.

    — John Steinbeck, Journals of a Novel: The East of Eden Letters

    East of Eden was the first book that I read by Steinbeck. It was moving and well written and rich with characters. Then I discovered Journals of a Novel: The East of Eden Letters and suddenly I felt I had been given a back stage pass to the mind of a writer.

    Steinbeck had already written Of Mice and Men (1937) and The Grapes of Wrath (1939) when he set out to write East of Eden (1951). In the intervening years he lived through two divorces and served as a war correspondent. Despite the critical success of his earlier works, his standing as a major novelist had faded. As today’s quote reveals, Steinbeck also felt that he had not yet told the one story that was within him. His editor, Pascal Covici, did all that he could to encourage Steinbeck. Covici sent Steinbeck a number of notebooks and instructed Steinbeck to use them to write.

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