Choose the experiences in life that offer the most anecdotal value — that is, look for the opportunities that have the most likelihood of producing a cool story.
At the The Moth Chicago Grand Slam this year Peter Sagal (yes, that Peter Sagal) relayed these words of wisdom, passed on to him by a theater professor at Lewis and Clark College many years before.
With a tip of the hat to The Moth, make it a story-worthy life.
If you cannot win, make the one ahead of you break the record.
— Jan McKeithen
I have come to believe that the whole world is an enigma, a harmless enigma that is made terrible by our own mad attempt to interpret it as though it had an underlying truth.
Sometimes I find myself agreeing with Umberto.
Other times I want to say, “Chill dude . . . Life is a Cabaret, old chum!”
Don’t say you don’t have enough time. You have exactly the same number of hours per day that were given to Helen Keller, Pasteur, Michaelangelo, Mother Teresa, Leonardo da Vinci, Thomas Jefferson, and Albert Einstein.
Despite my obsession for productivity, I often find myself struggling to stay focused. I find this quote inspirational, especially on days when I have frittered away have of a morning on mundane tasks. Think bigger. Think beyond the moment. Follow your passions.
Hope is the most powerful thing there is. It is the adrenalin of the soul.
— Amy Tan, from an interview on Change on To The Best of Our Knowledge
Sometimes in a man or a woman an awareness takes place — not very often and always inexplainable. There are no words for it because there is no one ever to tell. This is a secret not kept a secret, but locked in wordlessness. The craft or art of writing is the clumsy attempt to find symbols for the wordlessness. In utter loneliness a writer tries to explain the inexplainable. And sometimes if he is very fortunate and if the time is right, a very little of what he is trying to do trickles through.
— John Steinbeck, Journals of a Novel: The East of Eden Letters
This is another installment from Steinbeck’s journals written as he was giving birth to East of Eden. It has echos from my Julian Schnabel quote when he said “That is true about all art. The conflict is to try and take what is inside of you and put it inside somebody else.”
Son, we live in a world that has walls and those walls have to be guarded by men with guns. Who’s gonna do it? You? You lieutenant Weinberg? I have a greater responsibility than you can possibly fathom. You weep for Santiago and you curse the marines. You have that luxury. You have the luxury of not knowing what I know, that Santiago’s death, while tragic, probably saved lives. And my existence, while grotesque and incomprehensible to you, saves lives. You don’t want the truth because deep down in places you don’t talk about at parties you want me on that wall. You need me on that wall.
We use words like honor, code, loyalty. We use these words as the backbone of a life spent defending something. You use them as a punch line. I have neither the time nor the inclination to explain myself to a man who rises and sleeps under the blanket of the very freedom that I provide and then questions the manner in which I provide it. I would rather you just said thank you and went on your way. Otherwise I suggest you pick a weapon and stand a post.
— Aaron Sorkin, monologue by Jack Nicholson’s character in A Few Good Men.
No apologies. This quote is simply a guilty pleasure.