Self Confidence II

No one can make you feel inferior without your consent.

— Eleanor Roosevelt

Yesterday I quoted Martin Luther King, Jr. who said, “A man can’t ride your back unless it is bent.” In today’s quote, Eleanor Roosevelt conveys the same concept in a different voice.

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  • A Few Good Men

    Son, we live in a world that has walls and those walls have to be guarded by men with guns. Who’s gonna do it? You? You lieutenant Weinberg? I have a greater responsibility than you can possibly fathom. You weep for Santiago and you curse the marines. You have that luxury. You have the luxury of not knowing what I know, that Santiago’s death, while tragic, probably saved lives. And my existence, while grotesque and incomprehensible to you, saves lives. You don’t want the truth because deep down in places you don’t talk about at parties you want me on that wall. You need me on that wall.

    We use words like honor, code, loyalty. We use these words as the backbone of a life spent defending something. You use them as a punch line. I have neither the time nor the inclination to explain myself to a man who rises and sleeps under the blanket of the very freedom that I provide and then questions the manner in which I provide it. I would rather you just said thank you and went on your way. Otherwise I suggest you pick a weapon and stand a post.

    — Aaron Sorkin, monologue by Jack Nicholson’s character in A Few Good Men.

    No apologies. This quote is simply a guilty pleasure.

  • Spelling

    People who can’t spell a word in more than one way are dumb.

    — W. C. Fields

    I stumbled upon this quote early in my career and have had the opportunity to recite it countless times. I taught high school for two years right out of college and the students were merciless. I moved on to teaching at the college level for many more years where the students were more forgiving but no less astute. Then I made the move to corporate America where, as a business professional, there no end to the opportunities to make presentations or take notes at the whiteboard. Despite my passionate commitment to correct spelling and grammar an occasional misspelling in front of the class or a typo in the PowerPoint deck is inevitable.

    Here is where our old friend W.C. Fields comes to the rescue. After discovering a spelling mistake in front of a group of people I simply recite his pearl of wisdom, wait for the mild aknowledgement of smiles, and move on. No need to have your confidence shaken or allow the audience to derail your message. Just move on quickly with wit and aplomb.

    The aphorism plays equally well from the audience as it does from the podium. It is a great way to help a presenter through a rough spot if they become unnerved by a typo.

  • More Steinbeck on Writing

    Sometimes in a man or a woman an awareness takes place — not very often and always inexplainable. There are no words for it because there is no one ever to tell. This is a secret not kept a secret, but locked in wordlessness. The craft or art of writing is the clumsy attempt to find symbols for the wordlessness. In utter loneliness a writer tries to explain the inexplainable. And sometimes if he is very fortunate and if the time is right, a very little of what he is trying to do trickles through.

    — John Steinbeck, Journals of a Novel: The East of Eden Letters

    This is another installment from Steinbeck’s journals written as he was giving birth to East of Eden. It has echos from my Julian Schnabel quote when he said “That is true about all art. The conflict is to try and take what is inside of you and put it inside somebody else.”

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