
Director: Mel Gibson
Starring: Mel Gibson, Sophie Marceau, Mhairi Calvey, James Cosmo, Brian Cox
Genre: Action & Adventure
Studio: Paramount Theatrical: 1995 Rated:
R
Languages (Country): English, Spanish ()
Summary: Mel Gibson's Oscar-winning 1995 "Braveheart" is an impassioned epic about William Wallace, the 13th-century Scottish leader of a popular revolt against England's tyrannical Edward I (Patrick McGoohan). Gibson cannily plays Wallace as a man trying to stay out of history's way until events force his hand, an attribute that instantly resonates with several of the actor's best-known roles, especially "Mad Max". The subsequent camaraderie and courage Wallace shares in the field with fellow warriors is pure enough and inspiring enough to bring envy to a viewer, and even as things go wrong for Wallace in the second half, the film does not easily cave in to a somber tone. One of the most impressive elements is the originality with which Gibson films battle scenes, featuring hundreds of extras wielding medieval weapons. After Eisenstein's "Alexander Nevsky", Orson Welles's "Chimes at Midnight", and even Kenneth Branagh's "Henry V", you might think there is little new that could be done in creating scenes of ancient combat; yet Gibson does it. "--Tom Keogh"
Director: Richard Attenborough
Starring: Dirk Bogarde, James Caan, Michael Caine, Sean Connery, Denholm Elliott
Genre: Action & Adventure
Studio: United Artists Theatrical: 1977 Rated:
PG
Languages (Country): English, French ()
Summary: This massive 1977 adaptation by director Richard Attenborough ("Gandhi") of Cornelius Ryan's novel features an all-star cast in an epic rendering of a daring but ultimately disastrous raid behind enemy lines in Holland during the Second World War. A lengthy and exhaustive look at the mechanics of warfare and the price and futility of war, the film is almost too large for its aims but manages to be both picaresque and affecting, particularly in the performance of James Caan. The impressive cast includes Robert Redford, Gene Hackman, Anthony Hopkins, Laurence Olivier, Dirk Bogarde, Sean Connery, and Liv Ullmann among others. While not a classic war film, it nevertheless manages to be a consistently interesting and exciting adventure. "--Robert Lane"

Director: Jon Amiel
Starring: Sigourney Weaver, Holly Hunter, Dermot Mulroney, William McNamara, Harry Connick Jr.
Genre: Action & Adventure
Studio: Warner Home Video Theatrical: 1995 Rated:
R
Languages (Country): English ()
Summary: Taking its lead from Jonathan Demme's Oscar-winning pulse-raiser "The Silence of the Lambs", "Copycat" strives for intelligence over gristle and carnage. It's a terse, involving thriller that swings away from the usual cinematic notion of violence as a means to an end by forgoing brawn for brains. Young San Francisco police inspector Ruben Goetz (Dermot Mulroney) is teamed with brilliant force vet, M.J. Monahan (Holly Hunter), a diplomatic, no-nonsense cop who must buck the system in order to find a killer who is copycatting the crimes of history's most notorious serial killers. Ruben would rather shoot to kill than merely wound a suspect; Monahan labors to help him think more diplomatically. Everything changes when crank calls arrive at the station from serial-killer pin-up girl psychiatrist Helen Hudson (Sigourney Weaver). She's been housebound for 13 months, ever since murderer Daryll Lee Cullum (Harry Connick Jr.) nearly made her his next victim because she testified against him in court. Though he's in prison, he's still mentor and muse to every loose cannon walking the streets--one of whom is killing people with a vengeance and hoping to finish the job Cullum began. Cop and doc team up to solve the case in this stylish, plot-driven movie. Though "Copycat" loses steam in the end, it still makes a point. And it serves as a cautionary tale for people everywhere, tossing in street smart warnings against victimization. The teaming of Hunter and Weaver works well, the short and the tall forging a terrific and frictioned relationship that leads to grudging respect. Establishing an ominous atmosphere reminiscent of his classic British TV miniseries "The Singing Detective", director Jon Amiel has an eye for the dark and the unusual and it gives this film an edge that eludes most other mainstream filmmakers. "--Paula Nechak"

Director: Fred Zinnemann
Starring: Edward Fox, Terence Alexander, Michel Auclair, Alan Badel, Tony Britton
Genre: Action & Adventure
Studio: Universal Studios Theatrical: 1973 Rated:
PG
Languages (Country): English ()
Summary: With its high-intensity plot about an attempt to assassinate French President Charles de Gaulle, the bestselling novel by Frederick Forsyth was a prime candidate for screen adaptation. Director Fred Zinnemann brought his veteran skills to bear on what has become a timeless classic of screen suspense. Not to be confused with the later remake "The Jackal" starring Bruce Willis (which shamelessly embraced all the bombast that Zinnemann so wisely avoided), this 1973 thriller opts for lethal elegance and low-key tenacity in the form of the Jackal, the suave assassin played with consummate British coolness by Edward Fox. He's a killer of the highest order, a master of disguise and international elusiveness, and this riveting film follows his path to de Gaulle with an intense, straightforward documentary style. Perhaps one of the last great films from a bygone age of pure, down-to-basics suspense (and a kind of debonair European alternative to the American grittiness of "The French Connection"), "The Day of the Jackal" is a cat-and-mouse thriller that keeps you on the edge of your seat until its brilliantly executed final scene (pardon the pun), by which time Fox has achieved cinematic immortality as one of the screen's most memorable killers. "--Jeff Shannon"

Director: Phillip Noyce
Starring: Nicole Kidman, Sam Neill, Billy Zane, Rod Mullinar, Joshua Tilden
Genre: Action & Adventure
Studio: Warner Home Video Theatrical: 1989 Rated:
R
Languages (Country): English, French ()
Summary: There are several occasions when this rousing Australian thriller from 1987 should have ended with a well-placed shot from a speargun or a stronger knot of rope, but you don't think about these nit-picky details when you're being scared out of your wits. In a role that catapulted her to international stardom, Nicole Kidman plays a young wife who's joined her husband (Sam Neill) on a yachting trip to recover from the tragic death of their son. Far out to sea, they encounter a sinking ship with one survivor (Billy Zane, ten years before "Titanic"), but inviting him aboard turns out to be a very bad mistake. While Neill attempts to salvage the sinking boat, Kidman is fighting for her life against the psychotic Zane--a villain so creepy that you eagerly look forward to his demise. By the time that moment arrives director Phillip Noyce has resorted to a typical slasher-movie climax (proving that no boat should be without a flare gun), but until then "Dead Calm" is a nail-biting thriller that's guaranteed to keep you in a state of nail-biting suspense. To accommodate the widescreen compositions on the open ocean, the DVD offers the film in its original 2.35:1 aspect ratio. "--Jeff Shannon"

Director: John McTiernan
Starring: Bruce Willis, Reginald VelJohnson, Bonnie Bedelia, Alexander Godunov, Paul Gleason
Genre: Action & Adventure
Studio: 20th Century Fox Theatrical: 1988 Rated:
R
Languages (Country): English, French ()
Summary: This seminal 1988 thriller made Bruce Willis a star and established a new template for action stories: "Terrorists take over a (blank), and a lone hero, unknown to the villains, is trapped with them." In "Die Hard", those bad guys, led by the velvet-voiced Alan Rickman, assume control of a Los Angeles high-rise with Willis's visiting New York cop inside. The attraction of the film has as much to do with the sight of a barefoot mortal running around the guts of a modern office tower as it has to do with the plentiful fight sequences and the bond the hero establishes with an LA beat cop. Bonnie Bedelia plays Willis's wife, Hart Bochner is good as a brash hostage who tries negotiating his way to freedom, Alexander Godunov makes for a believable killer with lethal feet, and William Atherton is slimy as a busybody reporter. Exceptionally well directed by John McTiernan. "--Tom Keogh"

Director: Jerry Zucker
Starring: Sean Connery, Richard Gere, Julia Ormond, Ben Cross, Liam Cunningham
Genre: Action & Adventure
Studio: Sony Pictures Theatrical: 1995 Rated:
PG-13
Languages (Country): English, French, Spanish ()
Summary: 1995 had already seen the box-office success of sword-wielding heroes in "Rob Roy" and "Braveheart" when along came this glossy revision of the Arthurian legend, in which Lady Guinevere (Julia Ormond) is torn between her love for the noble King Arthur (Sean Connery) and the passionate knight Sir Lancelot (Richard Gere). As the story opens, Guinevere's lands are under attack by the evil knight Malagant (Ben Cross), and she must choose between marriage to Arthur and the security of Camelot, or encouraging the affections of Lancelot, who has heroically rescued her from a potentially lethal attack. Anyone looking for meticulous medieval authenticity won't find it here, but director Jerry Zucker ("Ghost") keeps the action moving with exuberant spirit and glorious production values. Even if you don't completely believe Richard Gere as a somewhat too-contemporary Lancelot, the performances of Ormond and especially Connery are effortlessly appealing. "--Jeff Shannon"

Director: Martin Scorsese
Starring: Robert De Niro, Ray Liotta, Joe Pesci, Lorraine Bracco, Paul Sorvino
Genre: Action & Adventure
Studio: Warner Home Video Theatrical: 1990 Rated:
R
Languages (Country): English, French ()
Summary: Martin Scorsese's 1990 masterpiece "GoodFellas" immortalizes the hilarious, horrifying life of actual gangster Henry Hill (Ray Liotta), from his teen years on the streets of New York to his anonymous exile under the Witness Protection Program. The director's kinetic style is perfect for recounting Hill's ruthless rise to power in the 1950s as well as his drugged-out fall in the late 1970s; in fact, no one has ever rendered the mental dislocation of cocaine better than Scorsese. Scorsese uses period music perfectly, not just to summon a particular time but to set a precise mood. "GoodFellas" is at least as good as "The Godfather" without being in the least derivative of it. Joe Pesci's psycho improvisation of Mobster Tommy DeVito ignited Pesci as a star, Lorraine Bracco scores the performance of her life as the love of Hill's life, and every supporting role, from Paul Sorvino to Robert De Niro, is a miracle.
Director: Luc Besson
Starring: Anne Parillaud, Marc Duret, Patrick Fontana, Alain Lathière, Laura Chéron
Genre: Action & Adventure
Studio: Vidmark / Trimark Theatrical: 1991 Rated:
R
Languages (Country): English, French ()
Summary: French director Luc Besson ("The Fifth Element") broke the commercial taboo against female-driven action movies with this seminal, seductively slick film about a violent street punk (Anne Parillaud) trained to become a smooth, stylish assassin. Though it amounts, in the end, to little more than disposable pop, the film has a cohesiveness in style and tone--akin to the early James Bond films--that gives it a sense of integrity. Parillaud is compelling both as a wild child and chic-but-lethal pro (trained in good manners by none other than Jeanne Moreau). Tchéky Karyo is also good as the cop mentor who develops feelings for her. "--Tom Keogh"

Director: Richard Donner
Starring: Mel Gibson, Danny Glover, Gary Busey, Mitch Ryan, Tom Atkins
Genre: Action & Adventure
Studio: Warner Home Video Theatrical: 1987 Rated:
Unrated
Languages (Country): English, French ()
Summary: Mel Gibson set aside his art-house credentials to star as a crazy cop paired with a stable one (Danny Glover) in this full-blown 1987 Richard Donner action picture. The most violent film in the series (which includes three sequels), it is also the edgiest and most interesting. After Gibson's character jumps off a building handcuffed to a man, and Gary Busey (as a cold, efficient enforcer) lets his hand get burned without flinching, there is a sense that anything can happen, and it usually does. Donner's strangely messy visual and audio style doesn't make a lot of aesthetic sense, but it stuck with all four movies. The DVD release includes production notes, Dolby sound, theatrical trailer, optional full-screen and widescreen presentations, optional French soundtrack, and optional English, French, and Spanish subtitles. "--Tom Keogh"

Director: Larry Wachowski, Andy Wachowski
Starring: Keanu Reeves, Laurence Fishburne, Carrie-Anne Moss, Hugo Weaving, Gloria Foster
Genre: Action & Adventure
Studio: Warner Home Video Theatrical: 1999 Rated:
R
Languages (Country): English ()
Summary: By following up their debut thriller "Bound" with the 1999 box-office smash "The Matrix", the codirecting Wachowski brothers--Andy and Larry--annihilated any suggestion of a sophomore jinx, crafting one of the most exhilarating sci-fi/action movies of the 1990s. Set in the not too distant future in an insipid, characterless city, we find a young man named Neo (Keanu Reeves). A software techie by day and a computer hacker by night, he sits alone at home by his monitor, waiting for a sign, a signal--from what or whom he doesn't know--until one night, a mysterious woman named Trinity (Carrie-Anne Moss) seeks him out and introduces him to that faceless character he has been waiting for: Morpheus (Laurence Fishburne). A messiah of sorts, Morpheus presents Neo with the truth about his world by shedding light on the dark secrets that have troubled him for so long: "You've felt it your entire life, that there's something wrong with the world. You don't know what it is, but it's there, like a splinter in your mind, driving you mad." Ultimately, Morpheus illustrates to Neo what the Matrix is--a reality beyond reality that controls all of their lives, in a way that Neo can barely comprehend.
Neo thus embarks on an adventure that is both terrifying and enthralling. Pitted against an enemy that transcends human concepts of evil, Morpheus and his team must train Neo to believe that he is the chosen champion of their fight. With mind-boggling, technically innovative special effects and a thought-provoking script that owes a debt of inspiration to the legacy of cyberpunk fiction, this is much more than an out-and-out action yarn; it's a thinking man's journey into the realm of futuristic fantasy, a dreamscape full of eye candy that will satisfy sci-fi, kung fu, action, and adventure fans alike. Although the film is headlined by Reeves and Fishburne--who both turn in fine performances--much of the fun and excitement should be attributed to Moss, who flawlessly mixes vulnerability with immense strength, making other contemporary female heroines look timid by comparison. And if we were going to cast a vote for most dastardly movie villain of 1999, it would have to go to Hugo Weaving, who plays the feckless, semipsychotic Agent Smith with panache and edginess. As the film's box-office profits soared, the Wachowski brothers announced that "The Matrix" is merely the first chapter in a cinematically dazzling franchise--a chapter that is arguably superior to the other sci-fi smash of 1999 (you know... the one starring Jar Jar Binks). "--Jeremy Storey"

Director: Roland Joffé
Starring: Robert De Niro, Jeremy Irons, Ray McAnally, Aidan Quinn, Cherie Lunghi
Genre: Action & Adventure
Studio: Warner Home Video Theatrical: 1986 Rated:
PG
Languages (Country): English ()
Summary: Roland Joffé ("The Killing Fields") directs this fuzzy effort at a David Lean-like epic without David Lean's sense of emotional proportion. Lean's most important screenwriting collaborator, Robert Bolt, in fact wrote "The Mission", which concerns a Jesuit missionary (Jeremy Irons) who establishes a church in the hostile jungles of Brazil and then finds his work threatened by greed and political forces among his superiors. Robert De Niro is briefly effective as a callous soldier who kills his own brother and then turns to Irons's character to oversee his penance and conversion to the clergy. The narrative and dramatic forces at work in this movie should be more stirring and powerful than they are--the problem being that Joffé is too removed from them to allow us in. "--Tom Keogh"

Director: John Milius
Starring: Patrick Swayze, C. Thomas Howell, Lea Thompson, Charlie Sheen, Darren Dalton
Genre: Action & Adventure
Studio: MGM (Video & DVD) Theatrical: 1984 Rated:
PG-13
Languages (Country): English, French ()
Summary: The Ronald Reagan 1980s were all about going back to the future--rewriting the past to better suit Reagan's upbeat vision of the present. So, Sylvester Stallone's John Rambo (a psychotic, shell-shocked Vietnam vet in the original film, transformed into a flag-waving hero in the sequel) was able to go back to Southeast Asia and "correct" history by decisively (and single-handedly) winning that messy ol' war on behalf of America. "Red Dawn" is a paranoid cold-war cautionary tale that presents us not with a rosy alternative past, but with an ominous vision of the future, metaphorically plopping a piece of Russian-occupied Afghanistan into America's back yard. In this celebration of the Second Amendment, storm troopers from the Evil Empire descend upon the inadequately defended United States and hold America hostage. Stealthily avoiding the invaders, a motley group of red-blooded, small-town, gun-toting teenagers go underground to form the Wolverines, a guerilla resistance squad dedicated to making those Russkies rue the day they parachuted onto U.S. soil. It's a darn good thing those kids had the right to keep and bear arms, huh! Written and directed by macho filmmaker John Milius, the self-described "Zen fascist" who also cowrote "Apocalypse Now", as well as the horrifying shark story Robert Shaw tells in "Jaws". The cast includes Patrick Swayze, C. Thomas Howell, Lea Thompson, Jennifer Grey (a few years before she and Swayze took up "Dirty Dancing"), Charlie Sheen, Powers Boothe, Harry Dean Stanton, and Ben Johnson. "Red Dawn" was a commercial success, although audiences invariably split into two camps, finding it either patriotic or appalling. Whatever your verdict, the film remains a telling reflection of its era. "--Jim Emerson"

Director: David O. Russell
Starring: George Clooney, Mark Wahlberg, Ice Cube, Spike Jonze, Cliff Curtis
Genre: Action & Adventure
Studio: Warner Home Video Theatrical: 1999 Rated:
R
Languages (Country): English ()
Summary: A confident hybrid of "M*A*S*H", "Treasure of the Sierra Madre", and "Dr. Strangelove", "Three Kings" is one of the most seriously funny war movies ever made. Improving the premise of "Kelly's Heroes" with scathing intelligence, it explores the odd connection between war and consumerism in the age of Humvees and cellular phones. Writer-director David O. Russell's third film (after "Spanking the Monkey" and "Flirting with Disaster"), it's a no-holds-barred portrait of personal conscience in the volatile arena of politics, played out by one of the most gifted filmmakers to emerge in the 1990s.
George Clooney, Mark Wahlberg, Ice Cube, and Spike Jonze (director of "Being John Malkovich") play a quartet of U.S. soldiers who, disillusioned by Operation Desert Storm, decide to steal $23 million in gold hijacked from Kuwait by Saddam Hussein's army. Getting the bullion out of an Iraqi stronghold is easy; keeping it is a potentially lethal proposition. By the end of their mercenary mission, the Americans can no longer ignore wartime atrocities (and neither can we--the film is boldly unflinching), and conscience demands their aid to Iraqi rebels abandoned by President George Bush's fickle wartime policy. This is serious stuff indeed, but Russell infuses "Three Kings" with a keen sense of the absurd, and the entire film is an exercise in breathtaking visual ingenuity. Despite a conventional ending that's mildly disappointing for such a brashly original film, "Three Kings" conveys the brutal madness of war while making you laugh out loud at the insanity. "--Jeff Shannon"

Director: John Badham
Starring: Matthew Broderick, Dabney Coleman, John Wood, Ally Sheedy, Barry Corbin
Genre: Action & Adventure
Studio: MGM (Video & DVD) Theatrical: 1983 Rated:
PG
Languages (Country): English, French, Spanish ()
Summary: Cute but silly, this 1983 cautionary fantasy stars Matthew Broderick as a teenage computer genius who hacks into the Pentagon's defense system and sets World War III into motion. All the fun is in the film's set-up, as Broderick befriends Ally Sheedy and starts the international crisis by pretending while online to be the Soviet Union. After that, it's not hard to predict what's going to happen: government agents swoop in, but the story ends up in the "hands" of machines talking to one another. Thus we're stuck with flashing lights, etc. John Badham ("Saturday Night Fever") directs in strict potboiler mode. Kids still like this movie, though. The DVD release has a widescreen presentation, theatrical trailer, Dolby sound, director commentary, optional English, French and Spanish subtitles. "--Tom Keogh"