Reading

Books must be read as deliberately and reservedly as they are written.

— Henry David Thoreau, Walden

I have always been a deliberate reader. When I stumbled across this quote while reading Walden so many years ago, it simply gave me permission to enjoy the pace at which I read. Good writing is more than just conveying ideas or recounting a story. Good writing creates a mood, and images, and evokes emotions — and these cannot be digested while speed reading.

One of my favorite writers is Pat Conroy, and my favorite book of his is Prince of Tides. When I read this poetic prose I am drawn in to the rich and colorful images Conroy is able to create. Every sentence feels like a sculpture carefully crafted.

I had the opportunity to hear Pat Conroy speak shortly after the Prince of Tides was published. He described at length his mean and abusive father which he cataloged in The Great Santini. In a misguided attempt to protect his male children from growing up to be “sissies,” Pat Conroy’s father refused to let Pat learn how to type. As a result, Pat Conroy writes all of his book longhand.

I have concluded over the years that there is a qualitative difference between writing longhand and typing on a computer. When writing longhand the pen is an extension of my arm connected directly to my mind. With a pen in my hand ideas tend to flow more transparently onto the paper. The process is slow and deliberate. Ideas form and reform as they make their way down my arm and out through the nib of the pen.

A computer and a keyboard represent a considerable barrier to the flow of ideas when compared to the simplicity of pen and paper. Although I touch type fluently, and have been for almost 30 years, my brain has to supervise as it translates my ideas into keystrokes which then emerge on a busy (and often distracting) computer screen. Granted, I can type much faster than I can write longhand, but this isn’t always a good thing. Some have accused Pat Conroy of sounding as if he swallowed a thesaurus. I know that his rich choice of words and images flows from the painstaking effort of forming every word slowly in his mind and then transferring them to paper through the fluid motion of his hand.

Similar Posts

  • Be the Best of Whatever You Are

    If you can’t be a pine at the top of the hill,
         Be a shrub in the valley – but be
    The best little shrub by the side of the hill;
         Be a bush if you can’t be a tree.

    If you can’t be a bush, be a bit of grass,
         And some highway happier make;
    If you can’t be a muskie then just be a bass,
         But the liveliest bass in the lake!

    We can’t all be captains, some have to be crew,
         There’s something for all of us here;
    There’s work to be done, and we all have to do
         Our part in the way that’s sincere.

    If you can’t be a highway, then just be a trail,
         If you can’t be the sun, be a star;
    It isn’t by size that you win or you fail,
         Be the best of whatever you are.

    — Douglas Mallock

  • The Illusion of Knowledge

    The greatest obstacle to discovering the shape of the earth, the continents and the ocean was not ignorance but the illusion of knowledge.

    — Daniel Boorstin

    To really appreciate the profundity of this quote you have to think back to Galileo (1564 – 1642) and his epic battle with the Roman Catholic church over the nature of our solar system. Although Copernicus (1473 – 1543) had developed the heliocentric theory a hundred years earlier, the “prevailing wisdom” maintained that the earth was at rest at the center of the universe while the sun and the planets revolved around it.

    But Galileo had a telescope — and became convinced that Copernicus was right. He championed the sun-centric “theory” at great personal risk. He was declared a heretic, forced to recant, and spent the last years of his life under house arrest. The church did not lift its ban on the general prohibition against works advocating heliocentrism until 1758.

  • Julian Schnabel

    In a recent episode of The Treatment, Elvis Mitchel interviews artist and director Julian Schnable. Elvis is struck by the idea that all of Julian’s movies are about artists whose view of the world is not understood by other people and so they are constantly trying to communicate with the world. Elvis says that the movies are ostensibly about art, but they are also movies about communications. They portray figures, who for some reason, can’t get an essential part of themselves communicated through any other means but their art. Julian replies:

  • Aim for the sea…

    A ship is safe in the harbor, but that is not what ships are built for.

    — William Shedd (or possibly Rear Admiral Grace Murray Hopper)

    I taught high school in the early 80’s. I had this quote hanging on my classroom wall in one of those inspirational-type posters with a sailboat setting out to sea. I suppose I was trying to inspire my students to reach for adventure as they launched themselves into the world. I still draw inspiration from these words every time I am faced with the choice of a challenge and an adventure or playing it safe.

  • Time without attention is worthless

    The worst of states is when you experience neither relaxation nor productivity. Be focused on work or focused on something else, never in-betweeen. Time without attention is worthless, so value attention over time.

    — Timothy Ferriss, 4-Hour Work Week.

    I am on the final chapters of 4-Hour Work Week. As hard as it is for me to imagine enjoying his company, Ferriss is nailing it.

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.